World-Builder’s Anonymous – Speaking the Language

Posted: April 3, 2019 in Novels, The Writing Process
Tags: , , , ,

Last week, I admitted that I am a full-blown world-building junkie. That post included my influences and some of the more valuable references I like to use (although I am always looking for more, so if you know of any, please let me–and my readers–know!). You can check it out here.

This week, I want to go over what I usually use as my “second step” to building the world: names.

To create names, you need LANGUAGE.

Just as much as building worlds, I love languages. I speak several well, and can read/translate a few more, so the next step was actually building one of my own. What I USED to do was just create a vocabulary, and used Excel spreadsheets to make dictionaries (I may even still have some of those, although that was several computer-hardware-iterations ago). I don’t recall exactly how I got to use the class I use now, but I somehow think it was tied into Karen Traviss’ research on her novels about the Mandalorians (what Boba Fett is supposed to be) and creating a language for the Mandalorians. If not, I apologize, but sending you on the proverbial wild-goose-chase is not what I intended. However I managed to get there, I found Holly Lisle’s Create a Language Clinic to be an awesome resource for going even deeper into language creation. (Disclaimer: if you click on that link and end up purchasing a copy of the clinic for yourself, I will get some compensated. But I recommend it even if you navigate away and find it on your own!).

So why all that fuss, you may ask?

Well, before I start giving anything on my map a name, I like to have the “available” characters (sounds) of the language in place. It keeps it pretty consistent, like a real place, which is essential to lending it any kind of credibility.

You know, unlike this unpronounceable garbage:

Mister Mxyzptlk

So I don’t end up with something like that, I work through some of the basic exercises until I get the sounds, consonant clusters, and eliminate at least one vowel from “availability”. I don’t go in neck-deep unless I just want to build a language. I don’t need–and don’t recommend– Tolkien-esque language creation. (But I recommend The Silmarillion if you want to see what a master at work.) Then I create a bunch of syllables from those words, and using the pool of syllables, start to build words and conventions for the language, kind of like the way “burg” in German denotes a town/city of some sort. Holly’s clinic (see link and disclaimer above) walks you through this. (That’s only the beginning of her book on creating a language. She takes you thoroughly through everything you ever loved (or hated) about English grammar classes in school.)

Does it preclude me from creating poetic names? Not at all – I just “translate” them. One example is that for one novel I have written (first draft, percolating in the background while I am working through the “How to Write a Novel” class), I had a place I called “Hummingbird Ridge” on my pre-language go-around. After I created the language that would include/refer to that region, I gave it a name in the language that the culture interpreted as “bee-bird ridge”. So while I wasn’t sure if I even wanted a hummingbird-type creature in my story to make it a reference, I ended up not only with the name for a creature that was essentially the same, but also a reason for it to have been named that. You can blame that on my muse.

I also like to refer to existing cultures to get a “feel” for their language and its construct, and also its concepts. But that, my friends, is a subject for next week’s blog.

So what references have you encountered? Maybe you threw a dart at a world map to get an idea for how a language would sound, or spun and globe and stopped it with a jab of the index finger? Maybe you just did a random search on Google or Bing or whatever search engine you prefer and ended up in a very weird spot.

Let us know below!

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Comments
  1. Greg says:

    Tolkein was the man for sure.

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